“Lying on the couch” (Ascot Sofa, 2007) I painted my relationship with the male world (Self-Portrait with Rousseau's Tiger, 2008-2009). The ambiguous struggle against the imposition of patriarchal values to model my existence resulted in vital exhaustion (Venus “to the last drop”, 2010) and a premonitory painting (Disemboweled Venus, 2010). A half a year later, a woman's hand with painted nails escaped from a large, dark man's glove (A Feminine Touch, 2011). I searched for ideas (The Painter in Her Labyrinth, 2013) and they emerged (Saint Matthew: Don't Cast Your Pearls before Swine>, 2013). This stage came to a close providing a new ending for the family taboo of the secret great aunt Elisa Coll (Elisa Coll series, 2014).